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モロゾフ：　社会主義リアリズムとリアリズム　アルバム　25x30.2 cm
Морозов А. - Соцреализм и реализм. Альбом.
М.: Новости, 2007. 272 с. 5269010519 H2561              税込価格 ￥19,950

Socialist Realism and Realism
Alexander Morozov
In recent years we have seen a rising public interest, both in Russia and abroad, in the realist trends of Russian fine arts, particularly those of the XX century, including the Soviet period. That brings to the forth the involved problem of qualitative differentiation between the pertinent art practices since we find a wide-spread failure to understand the heterogeneous nature of various trends emerging and evolving then in figurative representational arts in the context of Russian culture.
Characteristic of the Soviet period was, above all, the deep discrepancy between the realistic form of the official art engaged by the Bolshevik power and such forms of realism that developed in intrinsic opposition to that power being prompted by the spiritual impulses of the artist. That initial polarization, though evident enough in the 1920s, is rather blurred in today's perception. It is further blotted out by the arbitrary use of terms describing «Soviet art» as «socialist realism» or just «realism» interchanging those definitions. As a result, neither term has a clear content, just meaning vaguely that the artist operates in forms «looking like nature». In consequence that hampers discerning the qualitative distinctions in tastes, methods of visual-plastic formation, aesthetic preferences, mentality, philosophic and value orientation that actually existed in the art culture of Soviet time. That concerns not only the major contrast between two «global domains» of avant-garde and realism, but also variations within each of them. And whereas the avant-garde has been subjected to thorough critical analysis, that has not yet been done in the realm of realism or, rather, in its many provinces. In this book the author takes a step in this direction.